Originally titled "Love's Labour's Won",[2] the episode was re-titled as a reference to The Da Vinci Code. Historically, a reference to Love's Labour's Won (in Francis Meres's Palladis Tamia, Wits Treasury, 1598) predates the construction of the Globe Theatre (1599). The Doctor tells her no; Martha agrees that would be taking advantage of time travel the wrong way. Martha The character Kempe is William Kempe, a highly regarded comic actor of the era, who was a member of the Lord Chamberlain's Men along with Shakespeare and Richard Burbage. Under threat of annihilation from a species from the Dark Times, the TARDIS team have to establish whether there is a connection between a witch they've met and Shakespeare's Love's Labour's Won — a play that was legendarily lost to time. Carrionites Three witches try and mess up William Shakespeare's mind and work. Producer: This article is an index of characters appearing in the plays of William Shakespeare whose names begin with the letters A to K. Characters with names beginning with the letters L to Z may be found here.. Some of the words and names used are derived from other works. 1 Biology 2 Technology 3 History 4 Other references 5 Behind the scenes The true form of a Carrionite resembled a giant skeletal raven or crow. For his "Dark Lady", he produces the sonnet, "Shall I compare thee to a summer's day?" ", "Doctor Who "The Shakespeare Code" Review", https://en.wikipedia.org/w/index.php?title=The_Shakespeare_Code&oldid=999587836, Cultural depictions of William Shakespeare, Articles with dead external links from June 2018, Articles with permanently dead external links, Articles with dead external links from March 2018, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 January 2021, at 23:29. The Doctor and Martha make numerous references to Shakespeare's appearance: she notes that he looks nothing like his portrait, and wonders why he is not bald, while the Doctor says he could make his head bald if he rubs it and later gives him a ruff to keep (calling it "a neck brace"). The Doctor is left bewildered by Will's sudden behaviour. Shakespeare is being bewitched by three witch-like Carrionites to rewrite the ending to his play Love's Labour's Won so that the performance will create the right words to free the rest of the Carrionite race from imprisonment. Advertisement. Shakespeare remains adamant about what he sees and the Doctor explains the psychic paper, noting that Shakespeare's immunity to the paper proves that he is an "absolute genius". Looking at the crystal ball, the Doctor says he has a nice dark attic for the Carrionites to scream in for all eternity, and that he needs to get Martha back to Freedonia. Shakespeare then speaks, "To be or not to be", from his future play when explaining what he felt then, but wonders if the line is a bit pretentious; the Doctor is indifferent about it. Roberts has said, "I always thought it was a nice word, and I was thinking of the witches as carrion creatures, so I bunged a C in front of it". Aired on April 7, 2007. She confirms the Doctor's suspicions: the three Carrionites hope to gain entry for the rest of their species, eliminate the humans, begin a new empire on Earth and spread out from there. Doctor: Once at Bedlam, Martha and the Doctor are disgusted to learn that the patients are whipped to entertain the gentry. See all galleries from The Shakespeare Code (4) Related Content. The lead actor recites the incantation, and a vortex appears in the middle of the Globe. The Doctor then gives Shakespeare his "All the world's a stage" line before retiring for the night. In SFX magazine #152, producer Phil Collinson called this episode the "most expensive ever", because of the large amounts of CGI and filming in Warwick, Coventry and London. The Doctor, Martha and Shakespeare hear a commotion in the street and run out, where Lynley vomits water. They decide to visit the architect of the theatre in Bethlem Hospital. Lilith compels Shakespeare to write a strange concluding paragraph to Love's Labour's Won before flying away on a broom. However, his attention shifts to Martha, whom he tries wooing, describing her as "a queen of Afric" or a "blackamoor lady", which she finds slightly offensive. One of the putative lines of Love's Labour's Won, "the eye should have contentment where it rests", is taken from episode three of the 1965 serial The Crusade[7] — a story consciously written in Shakespearean style. The Doctor says it because he reads a lot. She approaches seductively, which the Doctor says definitely won't work on him, and then quickly cuts a lock of his hair. In the morning, Shakespeare flirts once more with Martha. As they leave the theatre, Martha asks why she has never heard of Love's Labour's Won. A character list in the beginning of the program declares a number of stacks, naturally with names like "Romeo" and "Juliet". The Doctor enters and Shakespeare tells him to leave, thinking him a fan who wants an autograph or a portrait done with him. He refuses to answer and with a sudden stop both are thrown off balance; the ship has landed. Yes the film!'. It was then re-released as part of the Series Three boxset in November 2007. Instead, she names Martha Jones, rendering her unconscious, muttering that she was unable to harm her more, as she must be out of her own time. Shannon Sullivan's A Brief History of Time (Travel), https://tardis.fandom.com/wiki/The_Shakespeare_Code_(TV_story)?oldid=3069048. Martha Jones steps outside and is amazed by the fact they've gone back in time. "Good thing I'm here," the Doctor quips. The Doctor gives Will a neck brace for his pain, telling him to keep it as it looks good on him. Shakespeare's daughter, Susanna, was to have appeared at one stage. 1x45 minute Episode With her help, the Doctor manages to re-start his other heart. He says he'll take her home tomorrow. However, Martha gleefully and sarcastically retorts that she would get sectioned. But his life is shrouded in mystery. Doctor Who television stories It was broadcast on BBC One on 7 April 2007. Shakespeare has appeared in one earlier Doctor Who episode, and the Doctor has also mentioned prior meetings. Fearing that they would be revealed if the Doctor can get Peter to talk, Lilith has Doomfinger transport herself. The story plays on the speculation around Shakespeare's. Lilith tries to do the same to the Doctor, but fails, as her psychic power is unable to uncover his real name. "[4], The name of the Carrionites derives from screenwriter Gareth Roberts' own New Adventures novel, Zamper (1995), which refers to a slug-like race known as "arrionites". Taken from the episode "The Shakespeare Code. The Doctor and Martha reach All Hallows Street, with Martha questioning how this could cause a problem, as she's living proof that the world didn't end this year. Shakespeare then remembers Peter Streete spoke of witches; he was the architect for the Globe Theatre. When regressing the architect in Bedlam, The Doctor uses the phrase "A Winter's Tale", whilst the architect himself uses the phrase "poor Tom" in the same way as the 'mad' Edgar in King Lear. The Doctor explains the Carrionites produce their "magic" through an ancient science based on the power of words. When Martha asks what actually killed Lynley, the Doctor responds, "witchcraft", confusing her further. These references include some metatheatrical humour, since David Tennant played the villain Barty Crouch, Jr in the film adaptation of Harry Potter and the Goblet of Fire. Scene from Series 3 episode "The Shakespeare Code." Martha tells the Doctor he shouldn't meet his heroes. The witches Lilith, Doomfinger, and Bloodtide observe this through their cauldron, and Doomfinger teleports to the cell and kills Peter with a touch. The Bard is seen by the Doctor and his companions on the screen of their Time-Space Visualiser in The Chase (1965), conversing with Elizabeth I; in Planet of Evil (1975), the Fourth Doctor mentions having met Shakespeare, and in City of Death (1979) he claims that he helped transcribe the original manuscript of Hamlet; and in The Mark of the Rani (1985) the Sixth Doctor says "I must see him [Shakespeare] again some time". However, Bloodtide and Doomfinger are there waiting, using their voodoo doll to knock Will out by tapping its head. The Doctor points out that he's not even human and she should just walk around like "[she] own[s] the place", just as he does. Scenes set in the Globe Theatre were then partially filmed in the recreated Globe Theatre in London. British Shakespearean scholar Robert Crumpton embarks on a mission to prove he is spectacularly wrong. Murray Gold Recognising the signs, the actors excuse themselves; to them, it looks like Shakespeare has found a new muse. The Carrionites in the theatre wither in fear of his words, but William gets stuck on the last one, unable to think of a rhyme. Lilith promises to kill the Doctor as the bells ring outside. He asks for a constable to take Lynley's corpse; Lilith offers to fetch one, walking off with a hidden grin on her face. Gridlock. He states that he will have the last scene finished by the morning. The Doctor helps him emerge from his catatonia long enough to reveal that the witches dictated the Globe's tetradecagonal design to him. The Tenth Doctor takes her to 1599 England. At The Elephant, Will and his actors are given beer by Dolly Bailey, the landlady. Through the window, Martha sees Lilith flying away on a broomstick. The years seen in this section may seem decidedly "off". At one point, the Doctor uses the title "Sir Doctor of TARDIS," which had been awarded to him by Queen Victoria in "Tooth and Claw" (2006). Season 10 actually began nine years after season 1 started. Examples of this include the Doctor telling Shakespeare that "all the world's a stage" (from As You Like It) and "the play's the thing" (from Hamlet), as well as the name Sycorax from The Tempest. However, without seeming to notice Martha's reaction, he attributes this to Martha being a novice to time travel. Writer: Queen Elizabeth enters, much to the Doctor's amusement. They proceed to the Globe to stop the Carrionites. The Doctor tells her that when she gets home, she can tell everyone she's seen Shakespeare. Contrary to common belief, season 10 kicked off in the last week of December 1972 — not in 1973, as would be expected. Shakespeare's head still hurts, so the Doctor hands him the stereotypical Shakespeare collar to use as a neck brace. The Shakespeare Code has accepted the latter. In an early scene a sign is glimpsed for an inn named "The Elephant".

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